A Conversation on India through
Photography and Poetry: An evening celebrating
the culture of India featuring photographs by Brenda Gottlieb and poems by
Kathryn Lane
—Lowell Mick White, author of That Demon Life
Rangoli
An
older woman drawing art
at
her doorstep says
it
is auspicious,
a
daily ritual, to paint
floor
art, wall art,
decorating
courtyards, doorways---
a
colorful welcome for visitors.
The
lines, she says, must be continuous, unbroken,
to
ward off evil spirits, appease deities,
invite
all things beautiful to her home.
Rice
flour is an offering to Lakshmi,
and
serves to feed ants and ravens.
For
festivals, Rangoli is painted at sacred spots
where
prayer is practiced.
Geometrical
patterns, Lakshmi’s footprints,
a
lotus flower, coconut and mango leaves,
designs
of elephants or horses, eagles and swans,
all
embraced in a circle, finger paintings,
using
natural dyes --- tree bark, rose petals, indigo,
or
simple chalk lines, folk art, I can bring home
to
welcome family, friends and even deities.
Taj
I
stood in both sunlight and moonlight,
watching
brightness and counterglow
play
the marble, change the mood,
a
cool breeze flirting with a symbol
enduring
beyond Mughal rule.
At
sunset, from the banks of the Yamuna river,
I
saw its golden glow, through polluted air
and
the smoky haze of funeral pyres,
echoing
ghosts of a thousand elephants who hauled
slabs
of marble, baskets of onyx and white clay for mortar.
I
rose before sunrise to see the dome
awakening,
radiant, symmetrical,
surrounded
by four silent sentries,
and
gardens --- so lush, to shield
squalor
beyond sandstone walls.
By
moonlight I witnessed silvery shadows
obscuring
seductive curlicue script, floral designs
in
turquoise, sapphire, lapis and carnelian.
Shooting
past the dome, a falling star flew by ---
falling
just for you.
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