Saturday, December 21, 2013

Picking Figs in Friendswood with featured author Jerry Craven



Author Jerry Craven at Friendswood Public Library on Wednesday, January 15 at 7pm. Introduction by Friendswood author Harold Raley. 

Two stories in Jerry Craven’s book Saving a Songbird, “Waiting for Grace” and “Picking Figs in Friendswood”, relay events from his youth in Friendswood during the fifties and include locations such as Pete Workman’s Café, the Brown family fig orchards, and Mary’s Creek among others. 
 
Jerry Craven is Press Director for Lamar University Press, Ink Brush Press, and Editor-in-Chief of Amarillo Bay.  He is a member of the writing faculty at Lamar University.  Jerry holds a Ph.D. from Bowling Green State University in the areas of Seventeenth-century English literature, British and American poetry, with a doctoral minor in linguistics.  His latest books include The Wild Part, Tiger, Tiger, Saving a Songbird, Searching for Rama’s Spear, The Big Thicket, and Becoming Others. 
 
 
Read passages from “Picking Figs in Friendswood” below. Find the entire story in Jerry Craven’s book Saving a Songbird: http://www.jerrycraven.com/

Picking Figs in Friendswood is a copyrighted work reproduced with permission and should not be reproduced without the author's consent.

 

          “You like figs, boy?” the foreman asked.

          “Yessir,” I said. It seemed like a stupid question. Everyone liked figs. Even my dogs back in Venezuela liked figs, would catch them out of the air and growl at each other while I picked ripe ones and flung them for the catching. Andy’s dog wouldn’t do that, and I considered him a degenerate Texas mutt, spoiled and lazy. Grandma Stella had a new puppy that showed some real promise of becoming a fine dog, though I hadn’t thought to offer it a fig.

          “Good. Glad to hear it. You stand over there, you hear?” The foreman pointed to a tree laden with ripe fruit. “Eat five or six while you wait.”

          Andy glanced at me, a look of amusement in his eyes, as did several of the other kids, and I felt resentment prickle the back of my neck, for they were up to something no good. Those country kids living in Friendswood, Texas, liked to laugh at my expense just because I was a city boy and didn’t know much… 

          …The foreman gave instructions to the rest of the fig pickers while I examined the ripe fruit on the tree he had ordered me to stand beside. The entire tree was a marvel of construction, the leaves large, raspy to the touch and resembling the leaves of the chaparro trees that grew here and there on the savannahs of Venezuela, though of course the chaparro was more sturdy, couldn’t bleed milk when you plucked a leaf, and bore no fruit at all. Yet it was one of the significant trees of my childhood, for the chaparro was the only thing sticking up on the savannah and thus the only climbable object for looking long distances, if you didn’t count the palms and mangos, the rosewoods and silk cottons growing into giants in the jungle that snaked through the savannah following the El Tigre River.

          I eyed the figs with pleasure and reached for one of them since the foreman had told me to eat several. They hung like gigantic maroon drops and were the biggest figs ever because they were a special type planted by the Brown family, the rich folk in Friendswood who owned whole orchards of figs and pears... 

 …The Brown family figs were bigger than a kid’s fist, and to hear Andy and Jacob and the other kids tell it were the best-tasting figs in Texas, in North America, in the world, and one perk given to those who picked the figs is that they could eat all they wanted. It was the perk that drew me into showing up when time for fig picking came. The sixty-cents an hour pay was a secondary consideration.

          What need had I of sixty cents an hour, I demanded of Andy, who had a tough time persuading me to give up play for work. “You go pick figs,” I told him. “I’m going swimming in Mary’s creek.” It’s something we did every day except for Sundays when, according to Grandma Stella, the Lord forbade little boys to enjoy a swim… 

          …The creek wandered deep in the woods, mud yellow and not deep except for where it widened into swimming holes to become deliciously deep and good enough for diving. Mostly the trees in the woods were pines, though along the creek other trees grew—willows and sweet gums with great branches for climbing and for tying rope to swing over the creek and into the creek. The best place to swim was on the Brown property, a place where the creek turned and gouged out a terrific bank a boy could leap off, one of the few places for miles around where the land wasn’t flat as a plate. To get to that place on the creek we had to climb through the tightest barbed wire fence in the county, and swimming there meant risking being caught by the caretaker of that part of the Brown estate. He was mean-looking man with eyebrows like caterpillars, and he always wrote our names down on a pad he produced from a hip pocket so he could tell our parents “next time I catch you boys crossing that fence.” But he had a terrible memory, Andy and I concluded, because he never told.

          It took me some time to select the best fig while waiting for the foreman to get the other kids started picking, and those moments were good ones, mouth-watering moments of delay to make the fig taste even better for thinking about how good it would be. Each fig I inspected looked better than all the others. The one I chose seemed to leap into my hand without the necessity of tugging, and a tiny nibble was all it took to make me a complete convert to Brown orchard figs, for it was the most delicious fig ever grown, and while I chewed, eyes closed for concentration and fig close to my nose for the perfume, it was the only fig in the world. I knew in that moment that such a fig was worth giving up a swim in Mary’s Creek… 

          ...When I opened my eyes only the stem of the fig remained between thumb and finger. With the grit of the seeds still sliding in their wonderful and magic way between my teeth, I reached for another gigantic maroon drop, loving the color and the smoothness, the softness, the illusion of mist on the fig where maroon faded into a frosted color. Eat five or six, the foreman told me, and I laughed at the thought, for these were far too big, and nobody, not even Uncle Truett, could eat five or six. I might get most of a second one down, but that had to be the limit. Eat six? With smaller figs maybe, but not with Brown orchard figs…     

          …The foreman hurried over when he saw me about to fling away part of a fig. “eat up, eat up, boy,” he said. “It’s a sin to waste good figs.”

          So I forced down the rest of the fig. “Now another,” he said. “You got to eat another. No self-respecting fig plucker can stop after eating only one fig.”

          “That was my second,” I said.

          “What? Only two? Look, boy, you got to eat more than that. Your cousin, what’s his name?”

          “Andy, sir.”

          “Andy. Your cousin Andy ate a full baker’s dozen the first day. You know what that means, don’t you?”

          That he lied about it, I thought; that’s what it means. But I said nothing.

          “Thirteen. That’s a baker’s dozen. And you have to do at least half as good. If you don’t, then you’re a no-count fig plucker and I got to send you home. Come on, now. Take this one.” The foreman picked the biggest fig I had ever seen and pressed it into my hands. “Down the hatch.”…         

          …The foreman did get me to eat the big fig he picked, and it surprised me that I could get it down. The last couple of bites were too sweet and figy-tasting to suit me. He frowned in a fierce and spooky way. “That’s only three,” he said. “You got to eat another one right now.”

          His tone was so scary and his eyes glinted in such a hard way that it seemed there was nothing I could do but try to eat another fig. “That one?” I pointed to the smallest I could find.

          “That one ain’t ripe, but okay. Eat it. Eat it now.”…          

          …I thought the foreman would kill me with figs. He hit me with a mixture of cajoling and threats that proved irresistible, and I ate several more, finding each one increasingly distasteful. “Come on, boy, you’ve almost proven yourself as a genuine Friendswood fig plucker,” he said. “One more and you will be there.”

          I hiccupped. “If I eat another, I’ll be sick,” I objected.

          “One more. Then I’ll set you to work. A penny a minute you’ll earn, and that ain’t hay. Come on.” He held a fig toward me; I hiccupped again and swallowed hard to keep from throwing up. “I do believe you look a little green around the gills,” he said. “Good, good. Tell you what, you get to work, and in an hour or so I’ll come see to it that you eat a couple more figs.”

          “Thanks, “I said. “But I never want to eat another fig as long as I live.”

          “Oh, yeah? Not even half of one?” He ripped open a fig and held it under my nose. I gagged. “You done good.” He patted my shoulder. “You’re now ready to help all those other fig pluckers bring in the crop.”…         

          …I picked figs all day after the foreman got me to eat a whole mess of them, and I noticed that nobody ate any of the figs they picked. Neither did I. At the end of the day the foreman leaned close to me and whispered, “You’re the best fig plucker of the bunch. I’m proud of you. You come back tomorrow, you hear?”

          I liked being the best fig plucker of all the kids, especially since I was a city kid and not supposed to know much of anything.

          On the way home from work, Andy said, “I saw the foreman talking to you, and I know what he said. He said you are the fastest fig picker in the county, didn’t he?”

          “Nope. He told me a secret.” It irked me that the foreman might tell all the kids they were the best. Besides, he didn’t tell me I was the fastest. He said I was the best, which probably meant I was most thorough or most careful.

          “Sure he did.” Andy laughed in a mean way and added, “I’ll bet you ate figs all day long.”

          “I could have if I wanted to.”

          “Yeah. All of us could if we wanted. But we don’t.”
 
 
~Jerry Craven
 
 
 

Monday, December 16, 2013

2 poems by featured poet Jonathan Moody



Our next off the page poetry series event will feature poets Winston Derden and Jonathan Moody on Wednesday, January 8 beginning at 7pm.  Open mic to follow featured readings. Refreshments provided.

The poems below are by poet Jonathan Moody.
Jonathan Moody received his MFA in Poetry from the University of Pittsburgh and his BS in Psychology from Xavier University of Louisiana.  He’s also a Cave Canem alum whose poetry has appeared in African American Review, Crab Orchard Review, Gathering Ground: A Reader Celebrating Cave Canem’s First Decade, Gemini Magazine, good foot, Houston Poetry Fest Anthology 2013, Peter Doig: No Foreign Lands, The Pittsburgh Post-Gazette, storySouth, Tidal Basin Review, Xavier Review and is forthcoming in Illya’s Honey.  Moody has been a featured reader for Houston’s Public Poetry reading series.  In 2013, he earned a spot on Houston’s Word Around Town Poetry Tour lineup and was selected to be a “Juried Poet” for Houston Poetry Fest.  Moody is the author of The Doomy Poems (Six Gallery Press, 2012).  He lives in Fresno, Texas, and teaches Dual Credit English at Pearland High School.

THE PROCESS OF INTERPRETING POETRY

You immerse yourself in darkness
& expect your eyes to adjust
only to have your vision
become cloudier than it originally was. 

Because there are no walls, there’s no light switch.
Your breath is a flashlight powered
by the unreliable battery of anxiety. 

Roots rest across your feet.
Or are they frayed cable wires?
Slithering snakes? A corpse’s fingers? 

This uncertainty induces headaches, nausea,
& dizziness, but it’s this very uncertainty
that props your body in an upright position
& places the brown paper bag over your mouth. 

You tilt your head beneath
the poem’s title;
it’s a pipeline leaking water.
~Jonathan Moody



URBAN FRONTIER
(GAIA’S MARSHLAND EXHIBIT
AT RICE GALLERY) 
for Mary & Chuck Wemple 
In Houston, skyscrapers
are unmarked tombstones.
Incessant bird crap
driving the homogeneous
cattle herd to stampede
orange marshland. In their path
stands a diverse flock:
seagull, woodpecker, warbler.
Their collective credit
score doesn't soar, 
but the skyline co-signs 
their lease to start new business:
a boiled peanuts stand adjacent
to Ice Cold Slush. How many
years from now until the cattle
herd, with all its presidential 
bacon, drives up interest rates--
until the skyline & its cloudy
judgment invests all of its savings 
in a foreign exchange scam
& can no longer cover
the flocks' defaulted loan? 
Like the names of slain soldiers,
these indie establishments
will be commemorated on a mural 
only to be forgotten
& suddenly "discovered" 
so conspicuous consumer
livestock & their adopted
African cubs can peer 
through the hole 
in Nostalgia's screen door 
without having to use brooms
to shoo away diverse flocks.
~Jonathan Moody

Tuesday, December 10, 2013

Last Night: A Musical Collage at FPL



Hope Lutheran Music Director Stephanie Poyner, with flutist Leslie Engle, clarinetist Laurie Ellis, sopranos Vickie Davis, Amanda Gonzales, and Beverly Kroesen, and Hope Bell Quartet Members: Shari Bacon, Michele Albrecht, Angela Zalkin, and Stephanie Poyner, performed fourteen Christmas songs to a full room of appreciative attendees last night at the Friendswood Public Library. 



 
 
 
 
 

 
 



Saturday, December 7, 2013

2 poems by featured poet Winston Derden



Our next off the page poetry series event will feature poets Winston Derden and Jonathan Moody on Wednesday, January 8 beginning at 7pm.  Open mic to follow featured readings. Refreshments provided.  

The two poems below are by poet Winston Derden. "A Gift" appeared first in Big River Poetry Review. "Medium Small" first appeared in Illya's Honey.
 


A Gift
 


My gift of poems arrived pre-read,

a book by Mary Oliver,  


paper wrapper nicked a bit,
pages curled and unrecovered. 

Not a poem was missing, though,
each page was bound in order,  

and as image, verse, and line enlightened,
I began to wonder  

if luminescence shines more bright
having first lit the eyes of another. 

— Winston Derden

Medium Small 

Today,
put one medium with another
and you don’t get media,
you get mediums. 

But
the mediums
these days are
so small. 

Cell phones
that fit the palm of your hand,
but leave you asking, “What?
What? You broke up.” 

MP3’s
that play into
ear buds with one third
the range of cheap speakers. 

Smart devices
that access
the Internet
on screens too tiny to read, 

with WIFI access
anywhere you go
to update
the latest snippet 

of nothing
large enough
to matter. 

— Winston Derden
 

Winston Derden is a former journalist, fiction writer, and poet who resides in Houston. His poetry appears in New Texas, the Texas Poetry Calendar, two Houston Poetry Festival anthologies, Words and Art, Harbinger Asylum and its first anthology, Pink-Eye Lemonade, Big River Poetry Review, Illya’s Honey and the Anthology of the Poetry Society of Texas 2012. Some of that work is collected in the chapbook “Analects.” He is a lifetime member of Gulf Coast Poets. He read on the 2013 Word Around Town tour and appears as a featured reader at Houston-area poetry readings. 

Video poems by Winston Derden:
Driving Nails and Graceful
Taking Turns Passing On 


Wednesday, December 4, 2013

spotlight database: OneClickdigital's Classics Library



The Friendswood Public Library now provides access to 200 eAudiobooks featured in OneClickdigital’s Classics Library.
A book becomes a classic because its ability to intrigue, excite, and entertain has stood the test of time. Classics are the best of the best, those that endure after the best-seller lists have faded and the fads moved on. Time after time these books have been read and enjoyed. OneClickdigital’s productions of the classics have earned the praise of critics.
Patrons will find that downloading audiobooks has never been easier:
·      A book can be checked out by multiple users simultaneously.
·      A book checks out for 21 days and can be renewed up to 3 times (21 days per renewal).
·      A maximum of 20 books can be checked out per user. 

Access OneClickdigital from the Friendswood Public Library website. Create an account and follow the instructions found under Getting Started.  For assistance, contact the Friendswood Public Library at 281-482-7135. 
 
 

Friday, November 15, 2013

spotlight database: The American West





The American West is a unique resource which will allow scholars to explore tales of frontier life, Native Americans, vigilantes and outlaws, and more recent topics of interest such as urban centres, the environmental impact of westward expansion and life in the borderlands.

Through a mixture of original manuscripts, maps, ephemeral material and rare printed sources, this collection will act as a dynamic teaching and research resource.

  • Papers of early pioneers, explorers and hunters are well represented, including items such as the original manuscript journal and papers of James Audubon.
  • Canada and the Pacific Northwest are well documented including accounts of the Gold Rush and of the landscape.
  • The evolution of Western towns can be seen through materials such as prospectuses and city directories.  
  • The growth of railway and road networks can be explored through maps and through records of key railroad companies.
  • Emigrants guides, manuscript travel journals, store catalogues, illustrations and maps enable scholars to understand the phenomenon of Westward expansion.
  • Accounts of ranches and of the prairie lands document the agricultural transformation of the West.  
  • There are rich resources for the study of Texas, Mexico and the South. 
  • Literary and historical works – as well as contemporary newspapers and posters - enable a better understanding of the real and mythic West – with first hand accounts of the lives of vigilantes and outlaws.
  • Native American history and culture is also very well documented.
  • Original manuscripts, ephemeral material (trade cards, wanted posters, photos, claim certificates, news-sheets etc), maps, and rare printed works.

The American West can be accessed through the TexShare databases found from the Friendswood Public Library website. Contact Friendswood Public Library to receive username and password. 
 

Wednesday, November 13, 2013

check this out: fpl staff picks



Mary Keever, Circulation Manager
The Goldfinch by Donna Tartt
 
 

Shanna Haby, Children’s Staff
Redeeming Love by Francine Rivers
 
 

Michelle Farthing, Circulation Staff
The Monuments Men by Robert Edsel
 
 

Brenda Feaster, Children’s Staff
Call the Midwife by Jennifer Worth
 
 


Thursday, November 7, 2013

off the page poetry series: nov 6









l to r: Terry Miller, Vanessa Zimmer-Powell, John Gorman


Gulf Coast Poets member Ann Fogelman


Our next off the page poetry series event is scheduled for Wednesday, January 8 at 7pm.  All programs are free and open to the public.


Wednesday, October 30, 2013

off the page poetry series on Wednesday. November 6. 7pm



You are invited to Friendswood Public Library's Off the Page Poetry Series. A poetry reading with award-winning poets Terry Jude Miller, Vanessa Zimmer-Powell, and UHCL professor Dr. John Gorman.  

Wednesday, November 6th at 7pm 
 
Growth 

Walking by the clustered ginger
I knew I should have it
if not for words alone
to celebrate how it rolled off my tongue
to say it softly
ginger  clustered  yellow green 

It grows wild
you have to cut it back
create a frame
tame it
so that it doesn't spread
but my eye likes it long, endless out of control
fields of clustered ginger 

I think of the wild blackberries
that I fought against in my back yard
the more I crushed them
the hardier they became
strangling what I chose to plant 

It wasn't until Hurricane Ike arrived
drowning everything in salt
that I missed them
and wished I would have enjoyed
more of their tart sweet black fruit
 

~Vanessa Zimmer-Powell
 
 
Vanessa Zimmer-Powell is a lover of language, literature, and poetry, who was born in New Orleans. She holds a Bachelor of Arts with a major in English from the University of Texas at Austin, a Bachelor of Sciences with a major in Communication Sciences and Disorders from the University of Texas at Austin, and a Master's Degree in Communication Sciences and Disorders from the University of Texas at Austin. She works as a speech and language pathologist in Houston. When she is not working, she enjoys writing poetry, doing yoga, swing dancing, playing as an aerialist in fabric, and enjoying art in Houston. Vanessa is a member of the Houston “Poets in the Loop”. Recent publications include the 2013 Austin International Poetry Festival Anthology, di-verse-city, the 2013 summer edition of Harbinger Asylum, the 2013 Round Top Poetry Festival Anthology, and the 2011 & 2013 Houston Poetry Fest Anthology. She was published in the 2013 fall edition of The Avocet, and was also a 2013 juried poet at the Houston Poetry Fest. She has been a featured reader at each reading of the Rice Gallery “Words and Art” reading series. Prior to moving to Houston in 2010 she hosted the poetry open mic at Mod Coffee Shop in Galveston, and was a member of the Galveston, “Poets Round Table.”