Friday, July 12, 2013

Yesterday: Astronaut Jerry Ross at FPL



The library was honored to have astronaut and Friendswood resident Jerry Ross speak to a full house yesterday evening at the Friendswood Public Library.  Jerry provided fascinating information regarding his wonderful new book Spacewalker: My Journey in Space and Faith as NASA’s Recording Setting Frequent Flyer. Using PowerPoint and narrating his own video footage Jerry gave audience members a vivid look into the world of astronauts and their work with the Space Shuttle and Space Station. Jerry also took time to answer numerous audience questions.






 
 


Tuesday, July 9, 2013

3 questions with acclaimed local artist Ruby Allen



This past November, the Friendswood Public Library hosted An Evening of Art with local, award-winning and juried artists, Ruby Allen, Glena Schlehuber, and Billie Morris.  Recently, I was fortunate enough to have acclaimed watercolor artist Ruby Allen answer a few questions about her artwork for from the reference desk. The art images that accompany this interview are from Ruby Allen’s work:
 

MR: Your amazing watercolor paintings are world renowned and many here in Friendswood enjoy collecting your work.  My wife and I purchased one of your watercolors many years ago and it still hangs in our living area.  Can you tell us how you came to paint in watercolor and how this medium lends itself especially to your creative vision?

RA: I have chosen water based paints as my preferred medium because it is more challenging than working in oils.  I also appreciate the freshness of watercolors when used wet on wet. The fusion can be very exciting.
 

MR: In preparation for the art exhibit we held here at the library last November, I had the privilege of seeing your studio and speaking with you about your art.  One of the subjects we touched on was the diverse styles of painting and mixed media that you have incorporated into your work over recent years. Could you share your thoughts on this and reflect a little on your more recent work.

RA: After painting in pure watercolor for many years it was a natural sign of growth to want to reach another plateau by incorporating other water based mediums.  I never forget that no matter how accomplished an artist may be, they are always a student.

I paint many abstracts because I find that they afford me the opportunity to use my creativity to the max.  Acrylic paint gave me the texture and depth of colors that I wanted. In addition, the paintings were consistently chosen for juried shows and were prize winners.
 

MR: And finally, could you share with us some of your experiences in the world art community.  I know that your work has been honored in other areas of the country and overseas. Could you tell us something about these experiences? Does your art take you out of the country often and do you enjoy these experiences?

RA: It is very pleasing to know that people all over the world are enjoying my paintings, including a “Ruby Wall” at the Russian News Agency in Moscow.  Whether a patron is visiting in this country or leaving to live in other parts of the world, it gives me a great sense of pride that they select my paintings to provide them with the happiness that they receive from my works.
In the words of Pablo Picasso, “The artist is a receptacle for emotions that come from all over the place; from the sky, from the earth, from a scrap of paper, from a passing shape, or from a spider’s web.”
 
l to r: Ruby Allen, Glen Schlehuber, and Billie Morris
 


Saturday, July 6, 2013

check this out: fpl staff picks



Donald LeBlanc, Reference Librarian

The Outpost: An Untold Story of American Valor by Jake Tapper

In The Outpost, acclaimed journalist Jake Tapper gives us the gripping saga of the group of brave, doomed soldiers who were stationed at (Combat Outpost Keating). Epic in ambition and conception, The Outpost reads like the grand war novels of the past---The Thin Red Line, The Naked and the Dead, The Things They Carried---packed with unforgettable characters, tension, violence, betrayal, love, and heartbreak.  Yet The Outpost is not fiction but brilliantly reported fact, the result of hundreds of firsthand interviews in Afghanistan and around the world. It is a masterpiece that, like Rudyard Kipling’s “The Man Who Would Be King,” will be read a century from now by those hoping to understand what went wrong in Afghanistan, and the courage of those who fought there.
---from the book jacket 

Christina Hicks, Young Adult Librarian

The Raven Boys by Maggie Stiefvater

From Maggie Stiefvater, the bestselling and acclaimed author of the Shiver trilogy and The Scorpio Races, comes a spellbinding new series where the inevitability of death and the nature of love lead us to a place we’ve never been before.

---from the book jacket

 

 
 
Michelle Farthing, Circulation

Murder as a Fine Art by David Morrell

Thomas De Quincey, infamous for his memoir Confessions of an English Opium-Eater, is the major suspect in a series of ferocious mass murders identical to ones that terrorized London forty-three years earlier.

The blueprint for the killings seems to be De Quincey's essay "On Murder Considered as One of the Fine Arts." Desperate to clear his name but crippled by opium addiction, De Quincey is aided by his devoted daughter Emily and a pair of determined Scotland Yard detectives.

In Murder as a Fine Art, David Morrell plucks De Quincey, Victorian London, and the Ratcliffe Highway murders from history. Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.
---from Amazon

 Matthew Riley, Assistant Library Director

Just Kids by Patti Smith

In Just Kids, Patti Smith’s first book of prose, the legendary American artist offers a never-before-seen glimpse of her remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies.  An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work—from her influential 1975 album Horses to her visual art and poetry.   ---from Amazon
 
 
Mary Keever, Circulation Manager
 
The Bat by Jo Nesbo
The electrifying first appearance of Jo Nesbø’s detective, Harry Hole.

Inspector Harry Hole of the Oslo Crime Squad is dispatched to Sydney to observe a murder case.  Harry is free to offer assistance, but he has firm instructions to stay out of trouble. The victim is a twenty-three year old Norwegian woman who is a minor celebrity back home. Never one to sit on the sidelines, Harry befriends one of the lead detectives, and one of the witnesses, as he is drawn deeper into the case.  Together, they discover that this is only the latest in a string of unsolved murders, and the pattern points toward a psychopath working his way across the country. As they circle closer and closer to the killer, Harry begins to fear that no one is safe, least of all those investigating the case. 
---from Amazon
 
 

Tuesday, July 2, 2013

FPL's Off the Page Poetry Series presents John Milkereit



FPL's Off the Page Poetry Series presents John Milkereit: reminiscing about matchsticks. John Milkereit is an award-winning, juried poet who has been featured at Houston Poetry Fest and Inprint's prestigious First Friday poetry series. John's stand-up poetry is both hilarious and thought-provoking. Not to be missed poetry event.
 

Wednesday, July 17 at 7pm at Friendswood Public Library
 
 
from the cover of Paying Admissions by John Milkereit: Cover Art by Steve Taylor
 

 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Rotating Equipment Engineer
 
A rotating equipment engineer ought to land in a poem
because I love the surprise of him
entering a dimly-lit hallway
with his sack lunch
ready to say no to someone. 
 
I enjoy his negating self, his I-don’t-build-anything
kind of job description.
What he actually does is a mystery.
One morning, his glasses could reflect from a computer screen
a motor data sheet or the news that a volcano erupted in Indonesia— 
 
you would never know for sure. I’d want as many turns
in the poem as the pumps he specifies. Words and shafts
are traitors and dirty when the start button is pressed.
Parts spin out of control, taking limbs off their operators.
I reminisce about the days when he made more money 
 
than a doctor, when building factories was a revolution.
His metal is so much like the sentence that takes so long
to get poured, and welded, and bolted into its shape.
Why not turn the result
over to the rulers of the world? 
 
With a red pen mounted on his keyboard, he always waits,
ready to reject a test.
He can fly to a factory in a pair of steel-toed boots
to witness what is ready to ship. No matter what he calculates,
or whatever tools are hidden in his pocket, he is never finished.
 
 
Reminiscing About Matchsticks
 

Remember the best ones from nine-thousand years ago?
We rubbed two together with our hands
causing a resistance between two bodies
we later learned was friction, and a fire
ensued inside that cave, our cores warmed,
we roasted what I killed, somehow we survived the winters.
 

Where have the 1800s gone? We made small strips
of wood and paper tipped with a combustible material.
We lived in France for a while and upgraded to phosphorus.
Later, we moved to America and found twelve in a book.
We struck them using the tips of our fingers against a narrow
oxidizing landing strip that I will never forget.
 

Have you forgotten what happened last summer?
The generic-jacketed ones had camped in an amber
rust candle plate cussing and swapping stories about nothing.
They punched plumeria candles across the walnut
grains of our Queen Anne table. They avoided fallen rose
petals, salt granulars, and sudden plateaus of newspapers.
They even yanked a wagon of incense from Bangalore.
 

Yesterday they rode from San Antonio in a box
labeled Little Rhein Steak House,
Nick’s Fishmarket swam downstream from Chicago
and rendezvoused with The Daily Grind---
a local guide for the artic journey across the porcelain
tundra of our bathroom. They climbed the toilet basin towing
a candle layered in gardenia, seminole rain, and eggplant.
Certainly, it was an adventurous time to be alive, or at least cold.
 

Today, I am thinking about the extinguished ones of the past, their
brief little lives caused us to survive, and rescued us
from the jaws of boredom. I am even thinking about the future---
we could fly them to another planet, a place we can only guess,
start over again, and tell stories around a campfire,
stories we can only imagine.
 

~John Milkereit
 
 
 

Saturday, June 22, 2013

Astronaut Jerry Ross at FPL: excerpt from his book Spacewalker



Friendswood astronaut Jerry Ross will speak at the Friendswood Public Library on Thursday, July 11 at 7pm.

Below is an excerpt from Spacewalker: My Journey in Space and Faith as NASA’s Record-Setting Frequent Flyer by Jerry L. Ross.

 

                                                    ONE

Sputnik, a mouse, and blackberry pie

 

 When I was little, some kids said they wanted to be farmers, lawyers, teachers, doctors, baseball players, or firemen.  But I couldn’t say I wanted to be an astronaut.

     When I was born on January 20, 1948, there were no astronauts. There were no space capsules or Space Shuttles.  There was no NASA and no International Space Station.  Orville Wright ---who with this brother, Wilbur, designed, built, and flew the world’s first airplane---was still alive. He died ten days later at the age of seventy-six.

     Airplane flight was barely forty-four years old, and the term “Jet Age” was so new it was rarely used.  The real “Jet Age” was still a few years away, and the “Space Age” would drop right on top of it as daring pilots such as Chuck Yeager pushed the boundaries of possibility.  On October 14, 1947, Chuck had piloted the Bell X-1 airplane and flew faster than the speed of sound for the first time.

     The only spacemen in 1948 were Buck Rogers and Flash Gordon, and they were in comic books and movies.  While space had captured the imaginations of science fiction writers and some scientists, the public viewed spacemen as whimsically as the “Man in the Moon.” Space travel was still a fantasy.

     In 1948, Virgil “Gus” Grissom, who later would become the second American in space and the first person in the world to be launched twice, was a sophomore studying engineering at Purdue University, seventy miles south of my northern Indiana hometown. He’d probably never heard the word “astronaut.” He wanted to be a United States Air Force pilot.  Neil Armstrong was an eighteen-year-old Purdue freshman with no idea that in twenty-one years he would put his bootprints on the Moon.

     While they could not know what lay ahead, the future was brewing inside them as they walked across the redbrick campus carrying thick calculus and physics textbooks and slide rules holstered in leather cases. The next twenty-one years would transform the world, and I lived through it.  It made me what I am today.

     I am an astronaut. 
   
In my life I have seen views of Earth and the universe from a perspective once known only to God.  Any yet, I grew up in a time so distant from today that electric can openers were considered high tech. And my family didn’t have one.
 
     I have launched into space seven times and ventured into the blackness of the universe on nine spacewalks.

     From two hundred miles high I have watched lightning pop through dark clouds stretched across the Amazon, seen the Himalayas reach up to greet me, and looked down at the Indiana hometown from where I once looked up at the stars.

     The world we live in today was unimaginable when I was a boy, and space has made the difference.  In the twenty-first century, all of us are as closely linked to space as the cellular phones in our pockets.  We are linked to space by television, financial transactions, the Internet, weather forecasts, and GPS.  The technology we employ every day has been made possible by space systems.  Our exploration of space has not only opened up the universe and fostered new technologies that we use here on Earth, but it has also taught us about our planet and its environment. The impact has been revolutionary.

     Thirty years of that exploration was dominated by a ship that was launched, returned to Earth, and sent back into orbit again---the Space Shuttle.  We were awed by it, inspired by it, and sometimes saddened by it.  And I was there for it all---from the first Shuttle mission to the last.  It was the adventure of my life.  Now the Space Shuttle program has run its course, the orbiters are in museums, and I am very concerned that America is walking away from its hard-earned leadership in space. 

     Our missions were filled with danger, excitement, hard work, tension-breaking laughter, and good times as we launched off the face of the Earth in an explosion that could be seen, heard, and felt miles away.  We did things no one had ever done before.  I want to share the amazing experiences I had pursuing my dream and help you understand what it felt like to ride those rockets and walk in space.

     We saw views that no camera has ever been able to fully capture.  Seeing the beauty of Earth from orbit along with the enormity, complexity, and the order of the universe strengthened my faith in a loving God who gave us a beautiful, fragile place to live.  I want to share how God has directed my path with the hope that others will choose to experience their own journeys in faith.

     My journey wasn’t easy.  It was difficult.  It came with all the failures and setbacks that are part of life.  I reached my dreams by always believing in them---no matter how distant they seemed---and by sticking with them through trial, error, and success.  I want you to know that the incredible dreams inside you, whatever they might be and wherever they might take you, can be within your grasp if you believe and persevere.

     My journey in space, faith, and life all began at the same time, in the same place, in the all-American Midwest town of Crown Point, Indiana, in an era when the Moon was still unreachable but a boy’s dreams could take him to the stars…
 
 

Tuesday, June 18, 2013

last night: Louisiana Rogue



Local author Harold Raley shed insight into the making of his fabulous new novel Louisiana Rogue with a full house at the Friendswood Public Library.  The audience learned about rogue novels and about the historical events and locations running throughout Louisiana Rogue.  The Friendswood Public Library was honored to host this book release event.
 
 
 
 
 
 

Saturday, June 8, 2013

National Spelling Bee Championship Round speller Syamantak Payra at FPL



Syamantak Payra of Friendswood made it into the Championship Round of the Scripps National Spelling Bee!  Syamantak also won a gold medal in the Physics/Astronomy division at this year’s CCISD Science Fair. The Payra family sent the Friendswood library a very nice message:

We are so proud of the Friendswood Public Library - it has a wonderful collection and we love the warm, cordial nature of all the staff members. In fact, Syamantak used a lot of materials from the Friendswood Public Library while he was preparing for the National Spelling Bee!



The Friendswood Public Library is also proud of Syamantak and all of his amazing accomplishments!
 
Syamantak Payra with his parents and FPL staff member Michelle Farthing (2nd from left)
 
 
 

Tuesday, June 4, 2013

excerpt from Harold Raley's Louisiana Rogue



Author Harold Raley will speak about his new book, Louisiana Rogue, at the Friendswood Public Library on Monday, June 17 at 7pm.

Below is an excerpt from Harold Raley’s Louisiana Rogue: The Life and Times of Pierre Prospère-Tourmoulin:

 

Part III: How Peter descended from the heavens and was reunited with Father Branigan; his seminary studies for the priesthood; how He and Lawler Adkins were cleverly relieved of their funds and left holding a braying ass; and how they parted ways.
 
 

     Far, far from Memphis I flew in fair Caroline’s balloon.  Hours passed as the south wind moaned and the basket swayed and creaked, carrying me with immeasurable velocity along the serpentine course of the Mississippi.  Occasional river craft greeted my passing with their deep-throated horns, and I could make out the ant-like figures of passengers waving their tiny arms at me.
     The day finished and night passed as the balloon continued its uncharted celestial trajectory.  As morning broke again, I perceived that my curious conveyance had descended alarmingly from its once majestic career. Only then did I espy the bullet hole from which the captured gas was escaping. It was too high for me to reach, and even by some unlikely maneuver I should attain it, I had no means at my disposal for stanching its wound, nor of knowing whether the bullet had torn another hole opposite the first.  A desperate thought crossed my mind that by discarding the coins I might gain time and distance, for a survey of the landscape now revealed only a featureless expanse of swampy desolation.  This alternative I rejected out of hand: it was better to fall rich than float poor. 
     But upon closer inspection of my purloined fortune, it appeared that float or fall, I would not do so as a rich man.  The sum was vastly inferior to my expectations, barely exceeding two hundred dollars.  Indeed some of the coins---sixty or seventy unless my memory fails---were Spanish milled dollars, but the others---greater in number---were inferior American coins worth much less.  I cursed Pollard anew.
     By noonday I was riding at treetop level, and before another hour passed the basket touched ground, at first with a mere brush, then with rude bounces and the crashing of branches and slapping of grasses.  I was reconciled to ending my flight on this contemptible terrain when a gust of wind lifted me momentarily above the trees and carried me towards what appeared to be a forested creekbed.  The balloon swooped into the dark void, made a valiant effort to clear the opposing slope and with a  stunning thud slammed into profuse underbrush.  The basket was demolished by the impact and I, thrown clear of my craft, rolled several meters towards the water.  The chemise and cravat were stained by dirt and grass, and I abandoned them with a momentary sadness.
     Like a dying behemoth, the balloon billowed and rippled as it strained to lift itself from the ensnarling branches.  But its life was spent, and gradually the valentine heart settled to its death, draped across the scrub. My flight had ended. I had come to earth again, though I knew not where or in what circumstances.
     Shedding my dress, I strapped my coins and other possessions around my body, then slid and stumbled my way down to the creek bed. No doubt I exaggerate by giving such a wholesome appellation to the paltry stream I discovered there.  For in truth it was but a sliver of water meandering from pool to pool amidst sandy banks. On these I perceived a multitude of animal tracks, but ignorant of nature and lacking the hunter’s eye, I could not discern whether they were of beasts placid or predatory.  Nor found I any human trace amongst them.
     I was ravenously thirsty and hungry.  I slaked my thirst in one of the pools, but the prospects for food were so unlikely as to conjure up before me the fearful specter of starvation.  I saw fish darting about in the deeper pools, but without hook and line or spear to snare them or fire to cook them, I could fathom no means of converting them into sustenance.  Searching further downstream, I discovered a few late-season blackberries that I devoured in frenzied haste.
     The berries and water abated my appetite sufficiently for me to consider my options with a clearer head.  My earlier aerial survey of the landscape afforded me no clue of human habitation and dispelled any profitless thought of abandoning the creek bed for the forested plain.
     As I pondered these dreary possibilities, I thought to perceive human voices, but listening intently for a time, I saw no one and decided with some concern for my health that my mind, weakened by all that beset me, was playing tricks on me…